文献类型：期刊文献

中文题名：《挪威的森林》的象征色彩

英文题名：Symbolical colors in Norwegian Wood

作者：叶岗[1]

机构：[1]绍兴文理学院中文系

年份：2002

卷号：18

期号：6

起止页码：54

中文期刊名：四川外语学院学报

外文期刊名：Journal of Sichuan International Studies University

收录：国家哲学社会科学学术期刊数据库

语种：中文

中文关键词：现实性;非现实性;象征性场景;象征性人物

外文关键词：realism; non-realism; symbolical setting; symbolical characters

中文摘要：《挪威的森林》具有现实性与非现实性双重混杂的品格,这是小说最见特色之处。非现实性成分的产生,是由记忆的残缺性、小说创作之材料选择的复杂性、作者对普遍性意义的有意追求而造成的。在小说中,作者凭藉具有象征色彩的场景和人物来表现其非现实性。以阿美寮为代表的场景象征性地表现了作者对于现实世界和理想世界的复杂思考,蕴含了对人际温情的渴盼。以阴性人物直子为代表的人物象征性地表现了作者对于人格自我的召唤和珍视,以及由此而强调的与世界的联系、爱与性的和谐统一。

外文摘要：Norwegian Wood is characteristic of a combination of realism and nonrealism. Its nonrealism results from the novel's incompleteness in memory, complexity in material decision and the writer's internationality in pursuit of universality. The symbolical setting focusing on the protagonist Amiyou reflects the writer's thought of the real world and the ideal world, implying of the writer's longing for human tenderness. And the female characters such as Naoko symbolize the writer's calling and cherishing of personality as well as the harmony between love and sex in the world.