文献类型：期刊文献

中文题名：从美的本质到审美活动:当代中国美学研究对象转换问题再审视

英文题名：From the Essence of Beauty to the Aesthetic Activity:Re-examine the Transformation of the Research Object of Contemporary Chinese Aesthetics

作者：范永康[1]

机构：[1]绍兴文理学院人文学院,浙江绍兴312000

年份：2022

期号：9

起止页码：155

中文期刊名：中州学刊

外文期刊名：Academic Journal of Zhongzhou

收录：CSTPCD、、国家哲学社会科学学术期刊数据库、社科基金资助期刊、北大核心、CSSCI、北大核心2020、CSSCI2021_2022

基金：国家社会科学基金项目“马克思主义经典文艺思想中国化当代化研究”(17ZDA269)。

语种：中文

中文关键词：美的本质;审美活动;研究对象;认识论美学;实践论美学

外文关键词：the essence of beauty;aesthetic activities;research object;epistemology aesthetics;practice aesthetics

中文摘要：当代中国美学将研究对象从“美的本质”转向“审美活动”,研究重心从“美”转向“审美”,哲学基础从认识论、实践论转向现象学和存在论,颠覆了主客二分的认识论美学模式,使得美学从附属于哲学的尴尬地位中独立出来。但是,当代中国美学不应完全否定认识论美学和实践论美学在“美的本质”方面所取得的成就,过分迷信现象学和海德格尔的存在论哲学,而应当坚守历史唯物主义基本原理,以此为底线,兼容其他美学方法论,走出一条具有中国特色的当代美学创新之路。

外文摘要：Contemporary Chinese aesthetics has shifted its research object from“the essence of beauty”to“aesthetic activities”,its research center from“beauty”to“aesthetics”,and its philosophical basis from epistemology and practice to phenomenology and ontology,overturning the epistemological aesthetic model of the dichotomy of subject and object,making aesthetics independent from the embarrassing position attached to philosophy.However,Contemporary Chinese aesthetics should not completely deny the achievements of epistemological aesthetics and practical aesthetics in the“essence of beauty”,but instead submit to phenomenology and Heidegger’s ontological philosophy.Instead,it should adhere to the basic principles of historical materialism,take this as the bottom line,and then integrate other aesthetic methodologies,and walk out of a path of contemporary aesthetic innovation with Chinese characteristics.