文献类型：期刊文献

中文题名：色彩斑斓的服饰与稳定的剧场效应——论曹禺戏剧服饰的色彩配置艺术

英文题名：Colorful Costumes and Stable Theatre Effect:On the Art of Color Configuration of Costumes in CAO Yu’s Plays

作者：刘家思[1];刘璨[2]

机构：[1]浙江越秀外国语学院中国语言文化学院;[2]绍兴文理学院元培学院语言文学分院

年份：2021

期号：1

起止页码：37

中文期刊名：戏剧艺术

外文期刊名：Theatre Arts

收录：国家哲学社会科学学术期刊数据库、北大核心、CSSCI、北大核心2020、CSSCI2021_2022

基金：国家社会科学基金项目“曹禺戏剧的剧场性研究”(06BZW048)阶段性成果

语种：中文

中文关键词：曹禺戏剧;服饰色彩;审美追求;剧场性

外文关键词：CAO Yu’s plays;costume color;aesthetic pursuit;theatricality

中文摘要：服饰色彩既有审美性又有指事性,融再现性和表现性于一体,以视觉感受影响戏剧接受。曹禺十分重视戏剧人物服饰的色彩配置,总是以冷色调为主,以暖色调为辅,精心配置人物服饰的色彩。古铜色和黑蓝灰色是曹禺戏剧服饰配色中用得最多的颜色,是主色调,而红色等暖色以及白色则用得较少,造成了阴冷、沉闷而压抑的气氛,冲击着受众的接受心理。他总是以传统的色彩心理学为依据,又遵循着"视觉冲击"的原则,并着意进行符号化处理,追求意象化、朦胧性和整体性感知效果,使人物服饰承载着生命的隐喻意义和思想的象征意义。这与曹禺戏剧所描写的生活、表现的主题及审美追求有关。曹禺戏剧人物服饰色彩的配置,不仅形成了视觉审美的冲击力,而且传递情节信息,展示人物的性格特征和命运状态,从而增强了剧场性,激发受众的审美感觉与接受欲望,活化了剧场效应。

外文摘要：Costume color is both aesthetic and self-explanatory,which combines reproducibility with expressivity so as to influence the acceptance of theatre through visual feeling.CAO Yu attaches great importance to color scheme of his characters’costumes,with the main color being always cold colors supplemented by warm colors.Bronze,black,blue and grey are widely used,while white and warm colors are rare,which generates a gloomy and depressing atmosphere and impacts on the audience’s psychological acceptance.Based on the traditional color psychology,and following the principle of"visual impact",he pursues the perception of imagery obscurity and integrity,endowing characters’costumes with metaphorical and symbolic meaning.It correlates with the lives,subjects and aesthetic pursuit that CAO Yu concerns in his plays.Color configuration of characters’costumes in CAO Yu’s works not only causes visual aesthetic impact but also conveys information of plot,and shows the characters’traits and fate,which enhances theatricality,triggers off audience’s aesthetic sensation and desire to accept,and achieves theatrical effects.