文献类型：期刊文献

中文题名：法曲考源

英文题名：Study on the Origin of "Fa Qu" (Buddhists’ Ceremonial Music)

作者：李强[1];何小全[1]

机构：[1]绍兴文理学院音乐系

年份：2010

期号：1

起止页码：18

中文期刊名：南京艺术学院学报：音乐与表演版

收录：国家哲学社会科学学术期刊数据库、CSSCI2010_2011、CSSCI

语种：中文

中文关键词：法曲;大曲;佛教音乐;道教音乐

外文关键词：Fa Qu, large-scale song and dance music, Confucianism music, Daoism music

中文摘要：法曲是隋、唐时期宫廷燕乐的一个品种,以歌舞为主,有时也以纯乐器的形式出现,风格清新雅致。关于法曲的来源众说纷纭,主要形成了来源于佛教音乐和道教音乐两种不同的观点。笔者在对法曲的来源做出进一步考证的基础上提出:法曲的形成是多源的,它是在吸收了多种前代音乐的基础上形成的,到成熟期时它已经脱离了宗教音乐的范畴,并成为隋、唐时期宫廷音乐中一种极富特色的歌舞音乐。

外文摘要：Fa Qu (Buddhists’ Ceremonial Music) was a branch in the Yan Music (the court music in the Sui and Tang Dynasties). In fresh and elegant style, it contains mainly songs and dances with occasional pure instrumental music. Its origin is highly debatable, and the main opinions have been that of from the Confucianism music or the Daoism music. Based on further research this author offers the theory that Fa Qu’s origin is a multiple one. It was based on several types of music in the previous times and it broke away from religious music as reaching its maturity, becoming a part of the court music with salient features.