文献类型：期刊文献

中文题名：“兰亭学”论稿

英文题名：Argument on Science of Orchid Pavilion

作者：陈望衡[1];陈浩[1]

机构：[1]绍兴文理学院

年份：2010

期号：3

起止页码：5

中文期刊名：江海学刊

外文期刊名：Jianghai Academic Journal

收录：国家哲学社会科学学术期刊数据库、北大核心2008、CSSCI2010_2011、北大核心、社科基金资助期刊、CSSCI

语种：中文

中文关键词：兰亭序;兰亭学;王羲之

中文摘要：《兰亭序》虽书写于东晋，而“兰亭学”却产生于唐代。唐太宗推崇《兰亭序》，推崇王羲之，实质是发动一场文艺复兴运动，是在借《兰亭序》推进唐代精神文化的建设。《兰亭序》的真伪之争，意味着中国传统文化中的诸多问题需要重新检视，也透视出中国当代文化建设的价值取向。“兰亭学”的主题是中国书学。“兰亭学”的延展，涉及文学、哲学、民俗学、美学等诸多方面。《兰亭序》作为中国文化的经典之一，实际上是中国古代某种文化形态的标志，它不仅是晋代精神生活的一面镜子，而且也反映了中国传统文化的诸多侧面。

外文摘要：Though Wang Xizhi’s Preface to the Poems Composed at the Orchid Pavilion was created in Eastern Jin Dynasty, the science of Orchid Pavilion came forth in Tang Dynasty. The high praise of the Preface and Wang Xizhi by Tang Taizong was in nature to boost a cultural reconnaissance in Tang Dynasty, to promote the construction of the spiritual culture in Tang Dynasty. The debate of the genuine or the fake version of the Preface means many questions in traditional Chinese culture need re-examining, yet reflects the value orientation in the construction of contemporary Chinese culture. The theme of the science of Orchid Pavilion is Chinese calligraphy, however, its extension can be relevant to literature, philosophy, folklore and aesthetics, etc. As one of the classics of Chinese culture, the Preface of Orchid Pavilion in fact is a symbol of some ancient Chinese culture. Therefore, it is not only a mirror of the life of Jin Dynasty, but also reflects a lot of important aspects of Chinese traditional culture.