文献类型：期刊文献

中文题名：当代英国马克思主义文艺意识形态论的“文化与社会”范式探析

英文题名：On the Paradigm of“Culture and Society”of Contemporary British Marxist Literary Ideology

作者：范永康[1]

机构：[1]绍兴文理学院人文学院,绍兴312000

年份：2023

期号：2

起止页码：37

中文期刊名：文学理论前沿

外文期刊名：Frontiers of Literary Theory

基金：国家社科基金重大招标项目“马克思主义经典文艺思想中国化当代化研究”(17ZDA269)阶段性研究成果。

语种：中文

中文关键词：当代英国马克思主义;文化与社会;文艺意识形态论

外文关键词：contemporary British Marxism;culture and society;the theory of literaryIdeology

中文摘要：以雷蒙德·威廉斯、理查德·霍加特、爱德华·汤普森、斯图亚特·霍尔、特里·伊格尔顿、托尼·本尼特为代表的当代英国马克思主义学者,创建了文艺意识形态论的“文化与社会”范式。他们强调意识形态的多元性、动态性、物质性、实践性和生产性,并将“文化”视为“整体的生活方式”或“整体的斗争方式”,文艺的意识形态功能不再表现为欧陆马克思主义美学家所主张的“审美政治”,而凸显出其“文化政治”的内涵。他们还将文艺的意识形态功能落实到文化机构和体制层面加以探究,从而构建了马克思主义文论史上最“接地气”的文艺意识形态论。其局限性主要表现为,“文化与社会”范式必然会排斥文艺的审美特性,最终走向“泛意识形态论”。对于中国马克思主义文论而言,其启示在于,我们有必要加强对文艺意识形态的实证化研究,并继承党的“大众文艺”研究传统,丰富和发展具有中国特色的文艺意识形态理论。

外文摘要：Contemporary British Marxist scholars represented by Raymond Williams,Richard hogart,Edward Thompson,Stuart Hall,Eagleton and Tony Bennett have created the paradigm of“culture and society”of literary and artistic ideology.They emphasize the diversity,dynamics,materiality,practicality and productivity of ideology,and regard“culture”as“an overall way of life”or“an overall way of struggle”.The ideological function of literature and art is no longer reflected in the“aesthetic politics”advocated by European Marxist aestheticians,but highlights the connotation of its“cultural politics”.They also explored the ideological function of literature and art at the level of cultural institutions and systems,so as to construct the most“grounded”theory of literary ideology in the history of Marxist literary theory.Its limitation is that the paradigm of“culture and society”will inevitably exclude the aesthetic characteristics of literature and art and eventually move towards“Pan ideology”.For Chinese Marxist literary theory,its enlightenment lies in that it is necessary for us to strengthen the empirical research on literary ideology,inherit the party's research tradition of“mas literature and art”,and enrich and develop the theory of literary ideology with Chinese characteristics.