文献类型：期刊文献

中文题名：“寻找刘子骥”与“等待戈多”——《暗恋桃花源》与《等待戈多》的主题比较

英文题名：Subject Compare: “Secret Love in Peach Blossom Land”and “Waiting for Godot”

作者：方桂林[1];卓光平[1]

机构：[1]绍兴文理学院

年份：2015

卷号：0

期号：4

起止页码：29

中文期刊名：广播电视大学学报：哲学社会科学版

收录：国家哲学社会科学学术期刊数据库

语种：中文

中文关键词：戈多;刘子骥;文化原型;戏剧呈现;哲理意蕴

外文关键词：Godot; LiuZiji ; Cultural prototype ; Dramatic presentation; Philosophic theory

中文摘要：西方荒诞派戏剧经典《等待戈多》中"戈多"形象一直饱受争议,上世纪八十年代台湾导演赖声川导演的话剧《暗恋桃花源》剧中也出现了一个类似"戈多"的人物形象"刘子骥"。这两个形象各取材于中西文化语境中的文化原型,氤氲着浓郁的宗教色彩;从剧场性上看,二者都是从未露面的"幕后人物",从主题上看二者都在对"人类存在意义"进行探索与反思。

外文摘要：The image of Godot, which came from a classic work of the western absurd theater -waiting for Godot, has been attracting controversy since its publishment. In the 1950s, a taiwan diretor, Lai Shengchuan launched a commercial drama the peach blossom land. There is a character called Liu Ziji in this play, for its similarity to Godot. Indeed, the two of them have a high degree of consistency in subject choosing, dramatic presentations and propositional meanings.