文献类型：期刊文献

中文题名：中国现代文学之“现代性”思考

英文题名：Consideration on “Modernity” of Modern Chinese Literature

作者：王晓初[1]

机构：[1]绍兴文理学院人文学院

年份：2005

期号：12

起止页码：41

中文期刊名：文艺研究

外文期刊名：Literature & Art Studies

收录：CSTPCD、、国家哲学社会科学学术期刊数据库、北大核心2004、北大核心、社科基金资助期刊、CSSCI2004_2005、CSSCI

语种：中文

中文关键词：中国文学;现代性;多元;多向

中文摘要：“中国现当代文学”学科是建立在其内涵的内在冲突与紧张的基础之上的,因而遭到不同向度的质疑。笔者以为,要重建中国现代文学学科的合法性,必须走出绝对化的本质主义和简单的二元对立思维模式,重新理解中国现代文学之“现代性”。在中国的历史语境中,现代民族国家的文学建构、启蒙主义的文学叙事、文学的自律性追求和现代都市通俗文学的萌动等,构成了中国现代文学之“现代性”的多元内涵与多重向度,并且呈现出一个多元共生、异质互动、多方纠缠的生成与建构过程,一个传统被不断改写与重构的过程。

外文摘要：The discipline of “Modern Chinese Literature” is built on its internal conflicts and tension and therefore is questioned from different angles. The author of this paper believes that in order to rebuild the disciplinary legitimacy of Modern Chinese Literature, we must discard the absolute essentialism and the mode of binary opposition so as to understand the “modernity” of modern Chinese literature. In the historical context of China, the “modernity” of modern Chinese literature is intentionally and directionally multiple with such elements as the literary construction of the modern nation-state, the literary narrative of Enlightenment, the autonomous pursuit of literature and the emergence of modern urban popular literature. All these make up a process of becoming and construction with the co-existence, reciprocity and interweaving of multiple heterogeneous elements, a process of ceaseless rewriting and reconstruction.