文献类型：期刊文献

中文题名：中国现代文学中的儿童形象论

英文题名：Children's Images in Chinese Modern Literature

作者：王黎君[1]

机构：[1]绍兴文理学院人文学院

年份：2008

期号：5

起止页码：111

中文期刊名：浙江社会科学

外文期刊名：Zhejiang Social Sciences

收录：人大复印报刊资料、CSTPCD、、国家哲学社会科学学术期刊数据库、北大核心2004、CSSCI2008_2009、北大核心、社科基金资助期刊、CSSCI

语种：中文

中文关键词：现代文学;儿童;个性特征;多元形象

外文关键词：Modern literature, Children, Individuality, Multiple images

中文摘要：以"五四"时期儿童本位观的提出为先导,中国现代文学中出现了具有独立个体特征与审美价值的儿童形象,根据儿童与"父"性的不同关系,这些形象可归纳为无父型、失父型、恋父型、弑父型和寻父型等几种类型。现代作家们正是通过这些儿童形象的塑造找到了一个颠覆成人、传统、历史等的形象工具,一个承载"爱心"、"自然"、"未来"(也包括新文学自身的未来)等哲学、理念、人生观等的形象载体。

外文摘要：Guided by the children's standard which was advocated at the period of May 4th Movement of 1919, there appeared all types of children's images with independent character and aesthetic value. According to the relationship to their fathers, these images could be classified into the following types: bastards, the children without a father, the children with Electra complex, patricides and the children looking for their fathers. Through these images, modern writers found a visual tool to overthrow adult tradition and history, and find a visual carrier of such philosophic ideas as love, nature and future (including the future of the new-vernacular literature itself).