文献类型：期刊文献

中文题名：中国五四时期新文学创作中的唯美主义光影

英文题名：The Flickering Light of Aestheticism in Chinese New literature during the May 4th Movement

作者：李红霞[1]

机构：[1]绍兴文理学院人文学院

年份：2014

卷号：0

期号：3

起止页码：25

中文期刊名：湖南涉外经济学院学报

外文期刊名：Journal of Hunan International Economics University

基金：教育部2012年社科青年基金项目“20世纪上半叶唯美主义的中国化进程”(12YJC751034)

语种：中文

中文关键词：唯美主义;五四;新文学;小诗

外文关键词：aestheticism;the May 4th Movement;New Literature;little poem

中文摘要：作为与20世纪中国文学发生广泛而深刻联系的文艺思潮,唯美主义最初进入中国,并非以整体打包方式进行,也不完全是理论指导下的行为,而是由于很多偶然因素,甚至是以被无意中夹带的艺术"细菌"方式进入中国,其资源也远不只限于英法、日本唯美文学。研究者较少瞩目的胡适诗作、小诗以及许地山创作中的唯美倾向,就体现出唯美主义进入中国方式的潜隐性以及中国现代唯美文学创作资源的丰富性。

外文摘要：Having extensive and profound contact with Chinese literature in 20 th century,aestheticism entered China neither in an overall packaged way nor under the theoretical guidance.On the contrary,it was due to many casual factors,or was even unintentionally entrained in the artistic "bacteria" way into China.Resources were far not limited to British,French and Japanese aestheticism literature.The aesthetic tendency in Hu Shi’s poetry,little poems and Xu Dishan’s novels,which were paid little attention by researchers,showed us the latent way of aestheticism into China and the luxuriant resources of modern aestheticism literature.