文献类型：期刊文献

中文题名：中国现代唯美观念中的节奏说

英文题名：The Theorization of Rhythm in Modern Chinese Aestheticism

作者：李红霞[1]

机构：[1]绍兴文理学院人文学院

年份：2013

期号：4

起止页码：78

中文期刊名：文艺理论研究

外文期刊名：Theoretical Studies in Literature and Art

收录：CSSCI2012_2013、CSTPCD、、北大核心2011、国家哲学社会科学学术期刊数据库、北大核心、社科基金资助期刊、CSSCI

基金：教育部青年基金项目"20 世纪上半叶唯美主义的中国化进程"[12YJC751034];浙江省哲社规划课题"唯美主义与中国现代文学"[11JCZW06YB]阶段性成果

语种：中文

中文关键词：现代文学;唯美;节奏;纯诗

外文关键词：modern Chinese literature aestheticism rhythm pure poetry

中文摘要："为艺术而艺术"作为唯美主义的核心观念之一,在中国现代文学中获得了很独特的表现,产生了中国化的特定表现形态,"节奏"说则是其中最具特色的一种。它曾获得众多文艺家的关注,贯穿于现代文学的整个过程——与20世纪初鲁迅开辟的追求生命律动的"恶魔美"路向密不可分;在现代纯诗力倡者那里获得了广泛呼应;最终在钱谷融的《论节奏》中颇富深意地获得某种程度上的收束总结,并成为《论"文学是人学"》的先导,由此在现代文学史上留下了独特足迹,启迪着后人对唯美主义自身价值及其中国文化境遇的思索。

外文摘要：As one core concept of aestheticism, ＂art for art＇ s sake＂ in modem Chinese literature has a distinctive way of mani- festation with localized forms, and the theorization of ＂rhythm＂ is the most unique one among its specific concepts. Authors and theorists help to define its trajectory of development throughout the process of modem Chinese literature. Lu Xun approached it at the beginning of 20th century from the perspective of ＂devilish beauty＂ as a form of the rhythm of life. Lu Xun＇ s conceptualiza- tion echoed among the advocator of pure poetry. Literary theorist Qian Gurong＇ s essay ＂On Rhythm＂ can be viewed as a summa- ry of the process of the theorization, which may be a harbinger of his idea of ＂literature as the study of man. ＂ The theorizafion of rhythm in modem Chinese literature provides a unique concept for the study of modem Chinese literature and literary aestheti- cism.